الموت كتمثال

في الثالثة والعشرين من عمرك،

تصلين مع عائلتك الحزينة

وتعتقدين أنك فتاة تذهب للمطارات ولا تسافر.

تجلسين في الطائرة محاطة بجنود سود

ينامون ويحلمون بعراقيين اضطروا لقتلهم.

خلال 16 ساعة، خسرت بلدك للمرة الثانية،

بلد لا يمكن لأحد أن يحبها.

الجامعة تدفع لك راتباً أقل من الحد الأدنى

لتعلمي أبناءهم عن نساء يتزوجن بشكل تقليدي،

وعن رجال لم يكتشفوا مثليتهم.

تذهبين للفصل كأنك في مقابلة للحصول على فيزا.

هناك حياة تركتها وتعلمين أنها ستموت مثل تمثال،

وهنالك حياة في المنتصف لا تخرج من مربع skype

هذه بيوت تصلح للفئران، للصناديق، ولنا.

تعلمين:

أن قلبك ينبض وحيداً،

أنك لا تغضبين طويلاً لأنك مشغولة بعمل الكثير،

أن كل الأشياء تتغير إذا انتظرنا بلا نهاية،

أن لا وعود يمكن إنقاذها بعد عبور المحيط.

* كيكا

Who decides how to rank Arab women?

It took Western media a few weeks after the toppling of Egyptian President Hosni Mubarak to bring up the question of women’s rights in relation to the Arab revolutions. The question is certainly not innocent considering the deployment of women’s issues in war propaganda and the presumed image of Arabs as incapable of intellectual revolutions that can bring about values of equality and freedom, presuming these values exist elsewhere.

The recent poll by the Thomson Reuters Foundation does not diverge from this discourse. On social media, women and men have been debating the methodology and outcomes of the poll. Although the status of Arab women did not witness any significant developments, a critique to this report is necessary to highlight how problematic these polls are, particularly when measured on “human rights.”

في فوائد الحداثة

قد أكون سلحفاة، 

تقودني بحقيبتك 

بينما يغزو دخانك نصف المدينة..

السلحفاة وحدها قادرة علي رؤية كل شيء: 

الفتاة التي ارتدت حجاباً 

لأنها تعبت من تسريح شعرها، 

الشاب الذي يجمع الفقه بالهب هوب، 

والدولة العميقة التي نستمني في حفرها..

أمي تعّرف غربتي بفقدان رائحتي التي تتوهمها، 

أنا أعّرف غربتي في علاقتي مع غسالة الملابس..

وحدها المغاسل العامة في أمريكا 

تحترم التعددية الثقافية،

فقد تغسل ملابسك بعد عدوك

واهماً بأن العرق لم يختلط!

أنا أحب المدينة،

وأحب الحداثة فعلاً، 

فقط لأنني لا أطيق الحشرات! 

* نشرت في أخبار الأدب

سعادة

* نشرت في النهار

The Question of State-Feminism in the Gulf

The question of how the Arab uprisings have and will affect the lives and rights of women in the region is particularly significant in the Arab Gulf states.

Women in this part of the region find themselves faced with two challenges: the efficiency of state-driven feminism on one side, and their struggle to push for their rights in the public arena on the other. Both the state and social forces often fail to prioritise women's rights with the result that women are compelled to negotiate their rights within these two spheres.

In Kuwait, educated women of the upper and middle classes have fought for decades for their rights to vote and to run in parliamentary elections. In 2005, they were granted those political rights despite opposition from Islamists. Throughout their struggle, those activists recognised the state as their supporter.

The Gulf-West Alliance and Dehumanizing Bahrainis: A Conversation With Ali Abdulemam

Ali Abdulemam is a Bahraini blogger whoseBahrain Online Forum was blocked in his country. For his activism, Abdulemam was imprisoned in 2010 and tortured. In an attempt to calm the protesters of the February 14 movements, the Bahraini regime released Abdulemam. He immediately resumed his activism, calling for the end of the regime during the 2011 Pearl Roundabout protests. When the Saudi-led forces of the “Peninsula Shield” invaded Bahrain, he went into hiding to avoid living the nightmare of imprisonment and torture once again. When tried in absentia, he was sentenced to fifteen years in prison for “attempting to overthrow the regime.” Last May, Abdulemam arrived in London after being smuggled across the Bahraini-Saudi border. What follows is an interview with the activist on how he sees political developments and online activism in Bahrain.

Since you escaped from Bahrain, we have been reading heroic scenarios about you “gaining freedom.” Do you feel free?

To me, freedom does not mean exiting through that brown door that I was trapped behind during my time in hiding. Freedom has a more complex definition: to be able to object; to oppose; to think and move freely; and to be myself and not someone else. I could have been free in Bahrain, with a comfortable job, but I would not have been myself. I would be the person that the regime wants me to be and the person that the economic, political, and media elites want me to be. I, however, do not feel free because Al Saud occupies my country, and the regime—with regional and global support—has conspired against its people. My real freedom would come when Bahrainis have the freedom and ability to make their own decisions.

O Stones, Listen to the Music

Riyadh Alsalih Alhussain

Translated by Mona Kareem

[Riyadh Alsalih Alhussain (1954-1982) was born in the Syrian city of Dara’a on March 1954 to a poor family. Growing up as a deaf-mute, he struggled with his education and decided to quit school. He worked as a journalist from 1976 until his death in Damascus in 1982. He published three poetry collections and this poem is from his third collection “Simple as Water, Clear as a Bullet.” (Basitun kal-Ma’, Wadihun Katalqat al-Musaddas)]

The beginning is tomorrow

And tomorrow is neither a tie nor a pair of fancy shoes,

The beginning is tomorrow

And tomorrow is neither a crossword puzzle nor the Havana Conference.

The beginning is tomorrow

And tomorrow, under the guillotine or in chains,

I will call for the new life;

For the life they talk about in books,

The life we see in TV ads,

The life that sleeps on the sidewalks

Is not the life we want.

Politics of Saudi Street Art

Prior to the Arab uprisings, street art in Saudi Arabia and Kuwait was seen as a funky, yet westernized, form of expression. Over the past two years, street art has become the new wave of expression, after photography and graphic design became too popular. There is a certain power to this emerging phenomenon as it gives visibility to certain issues and shows discontent among the youth.

In Kuwait, street art targets issues of undocumented migrants and gender tensions, but there’s also plenty apolitical, individualistic works. In Saudi Arabia, pictures of street art circulate and are feverishly documented before they are erased by the state.

The works in Saudi Arabia and Kuwait were clearly influenced by Egyptian street artists. The figure of Sad Panda, for example, appears inJeddah. The images of celebrities are used to send messages, most famously Um Kulthoum as a feminist figure. A few years ago in Beirut, the Mashrou’ Leila singer did the widely-known Um Kulthoum “Boos al-wawa” graffiti. Similar depictions of Um Kulthoum illustrated the clash between eras.

The Untold Stories of Kuwait's Palestinian Refugees

Samah Hijawi and Diala Khasawnih – A Journey

As Kuwait was being ‘liberated’ in 1991, angry nationalist ghosts were hunting Palestinians and Iraqis. The United Nations went searching in police stations, though they forgot to search the basements of schools. Alongside the scores of individuals tortured and murdered during the Kuwaiti invasion and the Second Gulf War was the displacement of thousands of Palestinians. In the smallest houses rented by Palestinians in every Kuwaiti neighbourhood, cars were seen loaded with bags and possessions. Mass deportations happened not only after Kuwait’s liberation, but also during the first months of the Iraqi occupation. As a result, many decided to flee in fear of the coming war. They were never welcomed back, nor were their stories seen as deserving to be told.

Raids on Gulf Migrants: Pictures and Thoughts

In the western Yemeni town of Haradh, on the border with Saudi Arabia, Ethiopian migrants sleep out in the open near a transit center where they wait to be repatriated. Source: Reuters.

In the past few weeks, 200,000 undocumented immigrants were deported from Saudi. Arrested in raids, left to sleep in the open air, piled in front of migration offices, and shown every kind of discrimination and abuse, those immigrants continue to be deported by the country that is home to King Abdullah’s Interfaith Dialogue Center.

Simultaneously, Kuwait follows its “big sister,” deporting hundreds in the past few weeks. Pictures of those migrants are taken without their permission, while policemen pose proudly as they fulfill their national duties. Racism is a living legacy in the Gulf, softened by Western powers and overlooked by media that would prefer to cover the story of a handsome man being deported from Saudi rather than those of the tens of thousands deported.

* Continue reading this article in AlAkhbar